Technical Rider
Hot N' Spicy Disco
Signal chain
Equipment — DJ provided DJ brings
Mixer
Condesa Carmen V
Rotary mixer — XLR or RCA output
Qty: 1
Turntables
Technics 1210-MK5
Professional direct-drive
Qty: 2
Cartridges
Ortofon MKII
Mounted on headshells
Qty: 2
FX Unit
TC Electronic Flashback 4
Delay / reverb effects
Qty: 1
Monitors (if needed)
Mackie Thumps
Only if venue cannot provide
Qty: 2
Media
Vinyl Records
All-vinyl performance
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Venue requirements Venue provides
FOH board must accommodate a high-output line-in signal
The Carmen V has no per-channel gain trim — the rotary volume pot is the sole level control. The onboard phono preamp applies 42dB of RIAA gain, and at full rotation the master can push up to 10dB above unity. Because there is no way to attenuate at the channel level, the transformer-balanced XLR output will deliver a signal that exceeds standard +4dBu line level when operating at 0VU on the meters — which is normal operating practice for a rotary mixer.
What the venue needs: A line input on the FOH console with a pad switch (−10dB or −20dB preferred), or sufficient gain trim range to bring the incoming level down to nominal. The line input should not be set to mic-level sensitivity.
Recommended workflow: Engage the pad, connect the XLR, then bring the mixer to operating gain (0VU) before raising house faders and amplifiers. This allows the FOH engineer to calibrate input trim against a stable reference level rather than correcting on the fly.
What the venue needs: A line input on the FOH console with a pad switch (−10dB or −20dB preferred), or sufficient gain trim range to bring the incoming level down to nominal. The line input should not be set to mic-level sensitivity.
Recommended workflow: Engage the pad, connect the XLR, then bring the mixer to operating gain (0VU) before raising house faders and amplifiers. This allows the FOH engineer to calibrate input trim against a stable reference level rather than correcting on the fly.
XLR connection from mixer to board — preferred
The Condesa Carmen V supports both XLR and RCA output. XLR (balanced) is strongly preferred for noise rejection and signal integrity over a long run. Please have a balanced XLR line available at the DJ position. RCA is an acceptable fallback.
DJ table — height and weight capacity
The combined weight of two Technics 1210-MK5 turntables, the Condesa mixer, and associated gear is significant. The table must be stable and able to bear this load without flex. A sturdy 36" banquet or equipment table is ideal.
Important note on table height: Standard 30" banquet tables make vinyl DJing extremely difficult due to the low working height. If a 30" table is the only option available, please notify the DJ in advance so they can bring risers to elevate the turntables and mixer to a comfortable operating height (approximately 36"–40").
Important note on table height: Standard 30" banquet tables make vinyl DJing extremely difficult due to the low working height. If a 30" table is the only option available, please notify the DJ in advance so they can bring risers to elevate the turntables and mixer to a comfortable operating height (approximately 36"–40").
Power — standard outlets at DJ position
Minimum 4 standard power outlets at the DJ position (2 turntables + mixer + FX unit). A single power strip / surge protector is acceptable. Please ensure the circuit is not shared with high-draw stage lighting or smoke machines.
DJ monitors (if available)
If the venue can provide a wedge or small DJ monitor at the booth position, that is preferred. If no monitors are available, the DJ will bring Mackie Thump speakers — please confirm in advance so they can be loaded in. A feed from the main mix or a separate aux send from the house board to a booth monitor is the ideal setup.
Before the event: Please confirm table height, XLR availability, and whether house monitors are provided at least 48 hours in advance. If the hot signal level needs testing with your FOH engineer prior to the event, the DJ is happy to coordinate a brief soundcheck.